![]() ![]() ![]() Watch for Juliette Binoche (the greatest performer of the series) in what ends up being a cameo role. My least favorite of the trilogy (not saying I don't still like the movie very much), "White" still creates a tone that makes it a cinematic winner. On dit que la turquoise est bonne en cas durgence, la couleur peut vous aider à penser clairement et à prendre des décisions. This is not a bad thing, but it is just an odd chapter for Kieslowski. La signification de la couleur peut être décrite avec des descriptions telles que la sagesse, la créativité, léquilibre émotionnel, la croissance, la tranquillité desprit et la clarté mentale. Instead it uses heart rather than thought at times to get its story across. The film is not near as emotional as "Blue" or near as rough as "Red". Its dark humor makes it stand out in an already unique set of films. Sometimes revenge can be sweet, but what happens when it does not necessarily accomplish what you had hoped? "White" is a little strange to the series. However, with a little help, Zamachowski will get back up and vow revenge on the woman that ruined his life and took his self-dignity. He is forced to leave France and go back to Poland, becoming a Metro beggar that has basically lost everything. The divorce crushes Zamachowski emotionally and financially. It is modern-day France and a Polish hairdresser (Zbigniew Zamachowski) and his amazingly beautiful French wife (Julie Delpy) are going through a messy divorce due to Zamachowski's inability to perform sexually. "White" (representing equality to the French) plays more light-hearted than "Blue" or "Red". Krzysztof Kieslowski's second installment in his "Three Colors" trilogy does not quite reach the greatness of his earlier or latter work, but is still a strangely interesting viewing experience that ends up being a dominant success by its final act in spite of some shortcomings. ![]()
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